Let’s talk art with Cathy Wills

How would you describe your own art collection?

Where to start? I have a collection of around 400 pieces, which I began when I was in my teens. It’s all contemporary work and there’s everything from photography to sculpture. I enjoy working with emerging artists, so I’m perfectly placed to buy ahead of the trend once artists have established their own style but their work is still affordable. It’s definitely an eclectic and colourful collection. I love quirky and unusual pieces, where the artists show their confidence and often their informed historical references, with a strong concept and skill. I also collect many works by 1970s and 1980s artists, often female – many of whom are now in their 70s and 80s themselves!

Have you any advice on buying art?

It’s important to develop your own eye. I like to think by now I have developed a very informed eye. That means I might make an almost immediate buying decision but really it’s informed by knowing what’s out there and understanding what I really like. By going to exhibitions and visiting lots of galleries, talking to gallerists and reading you’ll soon develop this skill for yourself. Before investing in a piece, you need to be confident that you’ll still love it in ten years and that it will stand the test of time.

Are you a fan of Art Deco?

Yes, what makes it interesting for me is the important role it plays in social history. It provided an exciting new vision that was desperately needed after the First World War, making Art Deco completely revolutionary in its time. After the frivolity and froth of the Belle Epoque and Art Nouveau, it was a pared down vision of art and architecture, and paved the way for later modernism and minimalism. Working on the Art Deco Shorts series has given me exciting new insights into the extent of its influence. Highlights for me included Professor Bruce Peter’s exuberant passion for ocean liners and how they brought together the best of everything to encapsulate the entire style of the era. I was also fascinated talking to knowledgeable architect Paul Fineberg about Mayfair’s history and outstanding architecture.

What can you tell us about your work as a philanthropist?

I began by working with young artists when I had my gallery and enjoyed helping them find their way. Through this I became a Trustee of several art organisations, acting as an advisor and fundraiser. I currently work with the Contemporary Art Society, which is over 100 years old and buys art work for and supports over 70 museums in the UK. I also work with some 45 different charities including MAG (the Mines Advisory Group, working to destroy landmines) and Freedom from Torture. For the last 11 years I’ve mentored and currently support MA sculpture students at the University of the Arts London. I’ve also worked closely as a curator with BFAMI (British Friends of the Art Museums of Israel) for many years.

What else are you passionate about?

I love putting people together that can help one another, like introducing a promising young artist to a gallery owner. When I’m not working, you’ll find me gardening, playing in the park with my grandchildren or sailing around the Greek islands.